Mar. 27, 2017

Carolina Caycedo

Carolina Caycedo (1978, lives in Los Angeles) was born in London to Colombian parents. She transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Carolina's artistic practice has a collective dimension to it in which performances, drawings, photographs and videos are not just an end result, but rather part of the artist's process of research and acting. Through work that investigates relationships of movement, assimilation and resistance, representation and control, she addresses contexts, groups and communities that are affected by developmental projects, like the constructions of dams, the privatization of water, and its consequences on riverside communities.

She has developed publicly engaged projects in Bogota, Quezon City, Toronto, Madrid, Sao Paulo, Lisbon, San Juan, New York, San Francisco, Paris, Mexico DF, Tijuana, and London. Her work has been exhibited worldwide with solo shows at Vienna Secession, Intermediae-Matadero Madrid, Agnes B Gallery Paris, Alianza Francesa Bogotá, Hordaland Kunstsenter Bergen, and DAAD Gallery in Berlin. She has participated in international biennials including Sao Paulo (2016), Berlin (2014), Paris Triennial (2013), New Museum (2011), Havana (2009), Whitney (2006), Venice (2003) and Istanbul (2001). In 2012, Caycedo was a DAAD Artist-in-Berlin resident. She has received funding from Creative Capital, California Community Foundation, Los Angeles Department of Cultural Affairs, Harpo Foundation, Art Matters, Colombian Culture Ministry, Arts Council UK, and Prince Claus Fund.

Jan. 04, 2017
Lauren Halsey

Lauren Halsey

Lauren Halsey was born in Los Angeles, California in 1987. She holds an MFA from Yale University (2014) and a BFA from California Institute of the Arts (2012). Lauren recently completed a residency at The Studio Museum in Harlem (2014-2015) and is the recipient of the Rema Hort Mann Foundation Emerging Artist Award (2014). She builds fantasy sculptures and environments that remix ephemera she gathers with hyperreal nature, technicolors, outerspace and Funk. The works exist as spatial metaphors for optimism, self-determination and love.

Sep. 12, 2016

Star Montana

Star Montana (1987) is a photo-based artist who lives and works in Los Angeles, CA. She was born and raised in the Boyle Heights neighborhood of East Los Angeles, which is predominantly Mexican American and serves as the backdrop to much of her work. Star’s imagery deals with class, social environment, and identity within the personal, her family. Three dots and Tear drops: a long term project with her family that has dealt with fragmented histories, loss, and the hope of the next generation was recently on view at the Vincent Price Art Museum and the UCLA Chicano Studies Research Center. More recently, she has begun to work on her themes within a larger scope of Los Angeles residents via portraiture and video. Montana received her BFA from the School of Visual Arts in 2013.

Sep. 12, 2016

Sid M. Dueñas

Sid M. Dueñas was born in Saipan 1973, and moved with his family to Los Angeles at the age of 4. He lives and works in Los Angeles and makes regular trips to Saipan for research. Dueñas’ artistic output disperses recurring themes within his areas of interest (i.e. corporeality and experience as topography, “peaks”, absorption as agency, diaspora of the Pacific Islands) into forms (processes and mediums) that mirror or defract the fallibility and effectiveness of language. This dispersion results in often coded works that take a role in ongoing conversations about art and how it relates to the experience of artists identifying with postcolonial realities and issues of sovereignty. Other areas of interest include vacillations between placement, relation and constructs of re-collection.

Discrete works such as sculptural objects and drawings are durations, each delineated by poles of initiation and completion. Durations are serial and porous events that consist of the accretion of irruptive and dispersive action. The chronology of durations are fluid in that, they may collapse, fold, or stack on a temporal plane. More specifically, durations or discrete works are generated recursively and may be intersected at any point within their morphology to create, according to poet Nathaniel Mackey, an interruption that creates an opportunity for the generation of new work. While a work may be distinct, a connective thread to an origin, however distant, is indexed by spatial positioning, sequence, memory and conversation.