Performance Lessons: Suzanne Lacy Teaches Andrea Bowers Performance Art


Performance Lessons:
Suzanne Lacy Teaches Andrea Bowers Performance Art

Performance
Sunday, October 30–Tuesday, November 8, 2016
Every day from 12–8 pm

Related Drawing on View
Wednesday, November 9–Sunday, December 18, 2016
Wednesday - Saturday from 12–8 pm;
Sunday from 12–5 pm;
Closed Monday and Tuesday

Beta Main’s first commissioned project, Performance Lessons: Suzanne Lacy Teaches Andrea Bowers Performance Art, centers on the profoundly influential trajectory of performance art in California between 1968-1980, reanimating and contextualizing this rich artistic history through durational performance, conversations with practitioners and theorists and inquiry on politics and pedagogy.

Performance Lessons follows the artists’ durational installation at The Drawing Center in New York in 2014, where Andrea Bowers taught Suzanne Lacy how to draw. Using the practice Lacy was foundational in forming, roles are reversed this time and Lacy teaches Bowers how to do performance art. For ten days, the pair will live in Beta Main while Bowers is assigned lessons, develops performances, and undergoes the formal critique process art students endure as part of their education. The lessons, taught by Lacy and other renowned artists, will be free and open to the public.


 

Through documentation of contemporary activists focused on women’s rights, migrant justice, workers’ rights, and climate justice, Andrea Bowers commits to an intersectional feminism that dismantles gender privilege and builds community that collectively cares for one another. Her multivalent art practice documents and honors the activists whose everyday actions forge meaningful change.Bowers has been featured in solo exhibitions at the Vienna Secession, Vienna, Austria; The Power Plant, Toronto, Canada; the Tang Museum, Saratoga Springs; REDCAT, Los Angeles; the Center for Art and Media, Karlsruhe, Germany; and the National Museum of Contemporary Art, Athens, Greece.

Bowers received her MFA from CalArts, and currently lives, works and teaches in Los Angeles. She is a proud member of the SEIU local 721 and currently a member of the Bargaining Committee for the Otis College of Art and Design Part-time Faculty Union. She has been teaching in the Otis Graduate Public Practice Program since 2007.


Suzanne Lacy is an internationally exhibited visual artist, social activist, educator, writer and feminist whose body of work includes performances, video and photographic installation, critical writing and public art with a focus on social and urban issues.She lectures widely, has published over 70 texts of critical commentary, and has exhibited at the Tate Modern, London, England; The Museum of Contemporary Art, Los Angeles; the Whitney Museum of American Art, New York; the New Museum, New York; and MoMA PS1, New York. Her scores of fellowships include the Guggenheim Foundation, The Henry Moore Foundation, and The National Endowment for the Arts. Her book, Mapping the Terrain: New Genre Public Art (1995), now in its third printing, was responsible for coining the term and articulating the practice.

Lacy is currently a professor of art at the USC Roski School of Art and Design. Prior, she served as the founding chair of the MFA in Public Practice at the Otis College of Art and Design. She holds a Doctor of Philosophy from Gray's School of Art at Robert Gordon University in Scotland.

November 29
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